Agenda

A ball rises and falls. It has its own time. A repeated note is grafted onto it. Then the movement of a mallet and that of a ball begin to form one body.

At la Cité de la Musique in Paris, Les Percussions de Strasbourg will present La Fête Sauvage – an encounter between the visual and sonic worlds of Frédéric Rossif and Lucie Antunes.

With this film-concert, Lucie Antunes and the Percussions de Strasbourg offer a new soundtrack to a classic wildlife documentary!

Les Djinns is an artistic exploration that seamlessly fuses percussion performance, electronic soundscapes, and video multimedia into a compelling sensory experience.

Les Djinns is an artistic exploration that seamlessly fuses percussion performance, electronic soundscapes, and video multimedia into a compelling sensory experience.

Forming a choreographic and musical diptych, Hélène Blackburn creates a new choreography to the masterful music of Stravinsky’s Les Noces for the Ballet de l’Opéra national du Rhin, in response to the re-creation of Bruno Bouché’s Nous ne cesserons pas.

Forming a choreographic and musical diptych, Hélène Blackburn creates a new choreography to the masterful music of Stravinsky’s Les Noces for the Ballet de l’Opéra national du Rhin, in response to the re-creation of Bruno Bouché’s Nous ne cesserons pas.

In a large-scale musical form, RUPTUR explores the notion of a machine that unfolds relentlessly.

In a large-scale musical form, RUPTUR explores the notion of a machine that unfolds relentlessly.

As part of the Music is… Festival in Prague, the Percussions de Strasbourg are presenting a customised programme of repertoire pieces combining experimentations with the group’s signature pieces.

Forming a choreographic and musical diptych, Hélène Blackburn creates a new choreography to the masterful music of Stravinsky’s Les Noces for the Ballet de l’Opéra national du Rhin, in response to the re-creation of Bruno Bouché’s Nous ne cesserons pas.

Forming a choreographic and musical diptych, Hélène Blackburn creates a new choreography to the masterful music of Stravinsky’s Les Noces for the Ballet de l’Opéra national du Rhin, in response to the re-creation of Bruno Bouché’s Nous ne cesserons pas.