Forming a choreographic and musical diptych, Hélène Blackburn creates a new choreography to the masterful music of Stravinsky’s Les Noces for the Ballet de l’Opéra national du Rhin, in response to the re-creation of Bruno Bouché’s Nous ne cesserons pas.
Les Djinns is an artistic exploration that seamlessly fuses percussion performance, electronic soundscapes, and video multimedia into a compelling sensory experience.
At la Cité de la Musique in Paris, Les Percussions de Strasbourg will present La Fête Sauvage – an encounter between the visual and sonic worlds of Frédéric Rossif and Lucie Antunes.
A ball rises and falls. It has its own time. A repeated note is grafted onto it. Then the movement of a mallet and that of a ball begin to form one body.
A ball rises and falls. It has its own time. A repeated note is grafted onto it. Then the movement of a mallet and that of a ball begin to form one body.
A ball rises and falls. It has its own time. A repeated note is grafted onto it. Then the movement of a mallet and that of a ball begin to form one body.
As part of TICAFEST, the Percussions de Strasbourg will plunge us into the abyss of vibration with 100 cymbals by Ryoji Ikeda. A unique listening experience.
As part of TICAFEST, the Percussions de Strasbourg will plunge us into the abyss of vibration with 100 cymbals by Ryoji Ikeda. A unique listening experience.
A ball rises and falls. It has its own time. A repeated note is grafted onto it. Then the movement of a mallet and that of a ball begin to form one body.
A ball rises and falls. It has its own time. A repeated note is grafted onto it. Then the movement of a mallet and that of a ball begin to form one body.
Myotis V plays the whole range of possible percussion sounds, recorded, amplified and redeployed.
At the MaerzMusik festival, les Percussions de Strasbourg present Poetica by Chaya Czernowin, a multicanal composition multicanal for percussions, voices and electronics. In collaboration with IRCAM.