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Festival Musica, Théâtre de Hautepierre, Strasbourg
In a large-scale musical form, RUPTUR explores the notion of a machine that unfolds relentlessly.
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Opéra national du Rhin, Strasbourg
Forming a choreographic and musical diptych, Hélène Blackburn creates a new choreography to the masterful music of Stravinsky’s Les Noces for the Ballet de l’Opéra national du Rhin, in response to the re-creation of Bruno Bouché’s Nous ne cesserons pas.
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Festival Musica, Arsenal de Metz
In a large-scale musical form, RUPTUR explores the notion of a machine that unfolds relentlessly.
More information![](https://www.percussionsdestrasbourg.com/wp-content/uploads/2024/07/02_NOCES-HD-PRINT-©-Sarah-Martinon-copie-2-1-500x740.jpg)
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Opéra national du Rhin, Strasbourg
Forming a choreographic and musical diptych, Hélène Blackburn creates a new choreography to the masterful music of Stravinsky’s Les Noces for the Ballet de l’Opéra national du Rhin, in response to the re-creation of Bruno Bouché’s Nous ne cesserons pas.
More information![](https://www.percussionsdestrasbourg.com/wp-content/uploads/2024/06/Musica-1904-web-∏Teona-Goreci-47-500x740.jpg)
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Festival Musica, Agora, Metz
An experiment aimed at sharing different musical pieces – with a visual, physical or vibratory dimension – between deaf, hard-of-hearing and hearing people.
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Festival Musica, Arsenal de Metz
Ryoji Ikeda highlights the potential of cymbals. A unique listening experience to curl up with the vibrations.
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Opéra national du Rhin, Strasbourg
Forming a choreographic and musical diptych, Hélène Blackburn creates a new choreography to the masterful music of Stravinsky’s Les Noces for the Ballet de l’Opéra national du Rhin, in response to the re-creation of Bruno Bouché’s Nous ne cesserons pas.
More information![](https://www.percussionsdestrasbourg.com/wp-content/uploads/2024/07/02_NOCES-HD-PRINT-©-Sarah-Martinon-copie-2-1-500x740.jpg)
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Opéra national du Rhin, Strasbourg
Forming a choreographic and musical diptych, Hélène Blackburn creates a new choreography to the masterful music of Stravinsky’s Les Noces for the Ballet de l’Opéra national du Rhin, in response to the re-creation of Bruno Bouché’s Nous ne cesserons pas.
More information![](https://www.percussionsdestrasbourg.com/wp-content/uploads/2024/06/RuptuRliveaBMEFannyDesbaumes_2-500x740.jpg)
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CCAM, Vandœuvre-lès-Nancy
In a large-scale musical form, RUPTUR explores the notion of a machine that unfolds relentlessly.
More information![](https://www.percussionsdestrasbourg.com/wp-content/uploads/2024/06/RuptuRliveaBMEFannyDesbaumes_2-500x740.jpg)
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CCAM, Vandœuvre-lès-Nancy
In a large-scale musical form, RUPTUR explores the notion of a machine that unfolds relentlessly.
More information![](https://www.percussionsdestrasbourg.com/wp-content/uploads/2024/07/02_NOCES-HD-PRINT-©-Sarah-Martinon-copie-2-1-500x740.jpg)
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La Filature, Mulhouse
Forming a choreographic and musical diptych, Hélène Blackburn creates a new choreography to the masterful music of Stravinsky’s Les Noces for the Ballet de l’Opéra national du Rhin, in response to the re-creation of Bruno Bouché’s Nous ne cesserons pas.
More information![](https://www.percussionsdestrasbourg.com/wp-content/uploads/2024/09/q50webp-500x740.webp)
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Duanjun Theater, Shanghaï
Les Djinns is an artistic exploration that seamlessly fuses percussion performance, electronic soundscapes, and video multimedia into a compelling sensory experience.
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